Category: issues

FCC General Counsel Warns 5G Conspiracy Theories Threaten U.S. Economy

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In an editorial, Thomas M. Johnson Jr. writes worries about 5G are “long on panic and short on science”

WASHINGTON—Conspiracy theories regarding the safety of 5G threaten the U.S. economy and run contrary to the findings of the Food and Drug Administration, Thomas M. Johnson Jr., FCC general counsel, wrote yesterday in a Washington Post opinion piece.

“Conjectures about 5G’s effect on human health are long on panic and short on science,” wrote Johnson.

The FCC recently reviewed its RF emissions standards, which Johnson called “the most stringent in the world.” The review drew on work of the FDA that found “the weight of scientific evidence has not linked cell phones with any health problems” and that existing cell phone RF limits protect the public.

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Security Issues Concerning Operation of EAS Equipment

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I hope everyone is staying safe and abiding by the guidance concerning Covid-19. Second, most broadcast operations are now being handled off-site, which could create security problems. Hackers know this and can take advantage of these opportunities.

Login and Password
It stands to reason that engineers should review the station security features including firewalls, passwords and any access to the open internet by station equipment. One area of concern is the EAS equipment, including any RBDS encoders. Creating secure login information is vital to blocking hackers from getting to the system. While I visit stations as part of the ABIP program, I still find some that are still using the default password that came with the unit. It is not difficult to create secure passwords and change them regularly.

Thankfully, most EAS devices force you to change your password when you first configure your device. Some EAS devices also periodically remind you to change your passwords. When you first install your EAS device, you need to change that default password. If you haven’t done this since you first installed your device, take this as a reminder to go change it as soon as possible. If your device didn’t prompt you to change your password, that is also probably a clue that you are running old software on the EAS device that needs to be updated.

Other reasons to change your EAS device passwords:

  1. When you have changes in personnel. Even when changes in status happen on friendly terms, it is a wise idea to “change the locks” on key station equipment – including EAS equipment – when staff or contractors quit, retire or are terminated.
  2. After a security incident, such as evidence of unauthorized access to EAS device (even internally).
  3. You suspect someone who should not have access might know the password.
  4. You somehow logged into the EAS device from outside your station, or from a shared or public computer. First, you should not access your EAS equipment from outside the station, unless you are using a secure link (such as a virtual private network). Fix that right away. Then change your passwords.
  5. It’s been a year or more since you last changed the password.

Network Connections

Although it is tempting to place the EAS equipment on an outside static IP address, this gives an open door to those wishing to do harm. If you don’t have an IT staff or someone who understands IT systems, you might ask, “How can I check to see if my EAS device is directly accessible from the Internet?”

  1. The easiest way to see if your EAS device might be directly connected to the Internet is this check: Are you accessing the device from a remote location – from home, or an off-campus hotspot, from your smart phone, etc. If you are, and it always “just works,” then your device is on the internet, and you might not have a firewall. A firewall usually requires you to access the device from a known IP address, or to connect through a VPN or other access limiting system. If you’ve never heard of these, and haven’t spent any time setting it up, you need to investigate if you have a firewall.
  2. Check the IP address of your EAS device. This will be the address you use to check your logs. Some EAS devices will display their IP address on their front panel – check with your manufacturer.

Some IP addresses are non-routable, and some are routable. If you have a non-routable address, then you are not directly connected to the internet – but you might still have a problem. Sometimes your network will have a device that is redirecting connections from an external routable address to your non-routable internal address. Such a device will often also have firewall capabilities. The non-routable addresses will always look like one of these: 10.xxx.xxx.xxx, 172.16.xxx.xxx through 172.31.xxx.xxx, and 192.168.xxx.xxx. If you have anything other than these, then you are probably directly connected to the Internet. You NEED A FIREWALL. Find out of you have one.

The firewall will permit only certain IP addresses that you select from getting from the outside internet directly to your EAS device. You usually need to limit such access to just the HTTPS port (443). SSL will add additional protection against outsiders gaining information by watching the flow of data between you and your EAS device. Even if you are going to permit remote access to your EAS device, only give access to just the ports you need; not all the ports, because an IP address can be spoofed.

For the best protection for your EAS device, a firewall should reject ANY incoming connection to your EAS device it receives from the Internet. If you must permit remote access, the best choice is to only permit a connection to the HTTPS port (443). Some EAS devices will use different ports for different things, and you might want to allow access on these ports, but start with a locked down system, and know what you are doing when opening any other ports.

Software Updates
As with all computer devices that connect to a network, keeping the firmware and software updated is important. EAS device software updates contain modifications to meet FCC rule changes, they also contain critical security patches, functional updates and bug patches.

  1. FCC compliance updates. The FCC has modified its rules several times over the past few years, changing the way alert time is handed for national alerts, adding EAS event codes, modifying FIPS names, and other rules. If you are not updating your software, you run the risk of not being complaint with current FCC rules.
  2. Security patches. Security patches address vulnerabilities that bad guys might use to gain unauthorized access to your EAS equipment. And, let’s face it, anything connected to the Internet – even behind a firewall – should be treated as vulnerable. It is very wise practice to keep current with these security updates.
  3. Bug patches and functional updates. From time to time, EAS manufacturers find a flaw or a bug in their software and issue a software update to address it. They also release helpful improvements and new features.

Should you have questions about the EAS equipment configuration, contact the manufacturer directly. Should you have questions regarding your firewall or network configuration, you may want to consult with an IT consultant or the manufacturer of that equipment.

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Higher Rates, But Some Concessions For Radio In New Deal With BMI.

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Broadcast Music Inc. (BMI) has begun notifying the 10,000 radio stations and broadcast groups that license its music about the new terms of its agreement with the radio industry. Under a settlement to the four-year old dispute between the Radio Music License Committee and BMI, broadcasters will pay more for the music they use from its repertoire for the period that covers January 2017 through December 2021. The agreement calls for stations to pay 1.78% of their annual gross revenue for on-air spins, less a standard deduction of 12%. That’s a modest increase compared to the 1.7% rate under the previous deal and higher than the 1.4% rate the radio industry had initially proposed in 2016.

Salem CEO Ed Atsinger, who chairs the RMLC, says the rate is “in line” with what the industry has paid to ASCAP and BMI for decades. “While the RMLC certainly would have preferred to report a rate decrease,” he said in a letter to broadcasters, “during the course of negotiations, BMI was able to substantiate that its affiliates’ radio spin share had increased relative to ASCAP’s.” He also said pointed out the two agreed to maintain a sliding scale based on station revenue, which will be especially helpful in the current business climate. “The percentage-of-revenue license structure means that fees will adjust along with station revenues during these uncertain economic times,” said Atsinger.

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Is AM All-Digital Right for Your Station?

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It could be if you are ready for the needed investment in time and effort

Xperi, digital radio, HD Radio, AM HD RadioThe author is director of broadcast business development for HD Radio intellectual property holder Xperi.There is an important AM digital comments filing approaching on Monday. That means it is time to get serious about all-digital AM broadcasting.And that means that with all you may have heard recently about the pros and cons of going all-digital with your AM station, it’s about time for some plain talk about what kind of AM station this conversion could potentially benefit, and where it might not yet make financial sense.

First, in the interest of full disclosure, as a 50-year broadcast veteran with a large collection of working antique AM radios, I have to admit to mixed feelings about any AM station dropping their analog signal for all-digital. I was that kid in the Midwest who grew up listening at night to WABC in New York, WCFL in Chicago, KDKA in Pittsburgh, WLW in Cincinnati, WOAI in San Antonio and so many other 50 kW clear channel stations.

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Maryland Passes Digital Ad Tax

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Wendy Davis, DigitalNewsDaily

Facebook, Google and other online companies could face new taxes in Maryland, if a bill passed this week is signed by the governor.

The measure, SB2, would impose new taxes on companies that glean than $100 million in digital ad revenue. Rates would vary from 2.5% to 10% of revenue attributable to Maryland, with the percentage tied to global revenue: Companies taking in between $100 million and $1 billion in digital ad revenue globally would be taxed at the 2.5% rate, while those taking in more than $15 billion would be assessed at the 10% rate.

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COVID-19 Joint Information Center Conference Call

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Hello NASBA Family,

I hope all of you are healthy and safe. I am just hopping off a daily Joint Information Center conference call and wanted to share and see if any of you are members of your state’s joint information teams. The team consist of EVERY state agency, including the Governor’s office, hospitals, and us (the communicators). This truly gives us an insiders perspective of emergency planning in response to COVID-19 and gives us a seat at the table to share ideas on communicating information to the public.

I was invited by our state’s emergency management agency.

I believe this to be a tremendous testament to our role in emergencies and a benefit to our members as we can share with them the latest. The agencies have asked that we share the information with our members to help ensure a consistent message.

Happy to discuss further and sorry if it doesn’t make complete sense. Trying my best to multi task and probably not doing the best job.

Stay healthy.

Luke Story
Executive Director, Arkansas Broadcasters Association

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Why J.Lo And Shakira Aren’t Getting Paid For The Super Bowl Halftime Show

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Jennifer Lopez used to have a little, now she’s got a lot—thanks in part to her ability to clock seven-figure grosses at every tour stop. But don’t be fooled: Jenny from the Block won’t be adding any more cash to her coffers for her Super Bowl halftime gig, at least in terms of performance fees. Along with Sunday’s co-headliner Shakira, her only monetary reward will be union scale and coverage of production costs.

It’s the same setup that acts from Bruno Mars to Beyoncé have agreed to in recent years—and though each is capable of commanding seven-figure nightly grosses for their solo live shows, they forgo payment on Super Bowl Sunday in exchange for the publicity that comes with playing to a televised audience of some 100 million people. Representatives for the two singers and the NFL didn’t respond to requests for comment, but the halftime acts’ reasoning is clear.

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How Much J Lo & Shakira Get Paid For Super Bowl Halftime Will Surprise You

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While both performers can be found on Forbes‘ list of the top 10 highest-paid women in music, you might be surprised to learn how much Jennifer Lopez and Shakira get paid for the Super Bowl halftime performances. While Lopez has previously pulled in millions from touring, she and Shakira will make exactly $0 when they perform at one of television’s most-watched live entertainment events. Yes, that’s right, although they will perform for one of television’s biggest audiences, neither performer will earn a direct paycheck for her work.

In 2019, Forbes described the Super Bowl halftime show as “a massive commercial in front of over 100 million people.” Meaning that although artists don’t get paid by the NFL to perform, they’re essentially given a starring role in front of a massive audience without having to cover any of the associated high costs. In essence, they’re working for exposure (much like that unpaid college internship you worked).

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Appeals Court Hands Missouri Broadcasters Another Win In Battle Over Booze Ad Laws.

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A federal appeals court in St. Louis has given Missouri broadcasters a reason to pop a few corks. The court upheld a lower court ruling that struck down three state laws that put restrictions on alcohol advertising. The three-judge panel in the Eighth Circuit Court of Appeals was unanimous in its decision, which said the state limits violated First Amendment free speech rights. The appeals court said the Missouri laws, which severely restrict alcohol distributors and producers from most retail advertising, aren’t needed to ensure an “orderly” marketplace.

“Missouri fails to show how the statute, as applied, alleviates to a significant degree the harm of undue influence,” wrote U.S. Circuit Judge Jane Kelly in the 15-page decision. She said the state attempted to use “consensus and history” to defend its statutes. But she said that effort was “misplaced” because it relied too heavily on what other states have done and wasn’t focused on Missouri’s own history or the particular regulations at the center of the fight. “The fact that other states and the federal government have tied-house laws does not make Missouri’s version constitutional,” wrote Kelly.

The court noted that under the law a bar could run an ad which says “drink Coors Light, now available at Joe’s Bar” but a producer or distributor could not.

The Missouri Broadcasters Association (MBA) has been leading the charge to have the state’s regulations struck down for nearly a decade. Missouri has had some of the strictest alcohol advertising rules in the country, employing a three-tiered system of alcohol producers, distributors and retailers designed to keep producers and distributors from having “undue influence” over places that sell or serve their products. But broadcasters have said the rules unfairly disadvantaged local radio and television stations and newspapers since internet ads weren’t covered by the laws.

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THIRD DRAFT OF STATUS REPORT ON FIRST RESPONDERS/INFORMERS LEGISLATION BY STATE

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Status report on First Responders/Informers legislation initiatives by state (compiled by Dick Zaragoza, Nov 2014)

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